Open Heaven
Galerie PJ, Metz, France
April 18 - June 6, 2026
Galerie PJ is pleased to present Open Heaven, an exhibition that explores Lauren Clay’s ability to establish a dialogue between the physical and the supernatural, where the notion of “place” and the spiritual atmosphere inherent to architectural spaces form the foundation of her practice.
The artist presents here a new body of work including a wall-scale wallpaper installation, as well as a group of sculptures and works on paper. This installation profoundly transforms the architecture of the gallery, shifting it into a dreamlike environment where spatial reference points are deliberately altered.
The wallpapers are conceived from miniature panoramic collages, meticulously handmade using marbled papers and developed according to the specific dimensions of the exhibition space. These compositions are then scanned and translated into high-resolution digital files before being printed onto vinyl. All of the physical details of the original collage are preserved in the enlargement, generating an illusionistic wall covering that produces a trompe-l’oeil effect. This device reinforces the formal principles of the sculptures while further intensifying the distortion of space, layering multiple levels of illusion.
For this exhibition, however, the wallpaper was produced using a slightly different process: a carved relief was first created, and then paper was embossed to generate the image. The embossed paper was subsequently digitized and combined digitally with the marbled paper. The enlarged print of the embossed paper thus echoes the sculpted curvature of the works, while maintaining a particularly soft visual quality at the scale of the wall.
The sculptures, in turn, are made from high-density polyurethane, a material that Lauren Clay hand-carves using traditional wood-carving tools. The surfaces are then sanded and painted in oil to simulate marble and woodgrain effects. Shadows and gradients are deliberately heightened, enhancing the illusionistic quality of the works and bridging the gap between the material and the ethereal.